Not All Conspiracies are Imaginary Essay -- Conspiracy Theory Theories

Not All Conspiracies are Imaginary Almost as an article of faith, some individuals believe that conspiracies are either kooky fantasies or unimportant aberrations. To be sure, wacko conspiracy theories do exist. There are people who believe that the United States has been invaded by a secret United Nations army equipped with black helicopters, or that the country is secretly controlled by Jews or gays or feminists or black nationalists or communists or extraterrestrial aliens. But it does not logically follow that all conspiracies are imaginary. Conspiracy is a legitimate concept in law: the collusion of two or more people pursuing illegal means to effect some illegal or immoral end. People go to jail for committing conspiratorial acts. Conspiracies are a matter of public record, and some are of real political significance. The Watergate break-in was a conspiracy, as was the Watergate cover-up, which led to Nixon's downfall. Iran-contra was a conspiracy of immense scope, much of it still uncovered. The savings and loan scandal was described by the Justice Department as "a thousand conspiracies of fraud, theft, and bribery," the greatest financial crime in history. Conspiracy or Coincidence? Often the term "conspiracy" is applied dismissively whenever one suggests that people who occupy positions of political and economic power are consciously dedicated to advancing their elite interests. Even when they openly profess their designs, there are those who deny that intent is involved. In 1994, the officers of the Federal Reserve announced they would pursue monetary policies designed to maintain a high level of unemployment in order to safeguard against "overheating" the economy. Like any creditor class, they preferred a deflationary course. When an acquaintance of mine mentioned this to friends, he was greeted skeptically, "Do you think the Fed bankers are deliberately trying to keep people unemployed?" In fact, not only did he think it, it was announced on the financial pages of the press. Still, his friends assumed he was imagining a conspiracy because he ascribed self-interested collusion to powerful people. At a World Affairs Council meeting in San Francisco, I remarked to a participant that U.S. leaders were pushing hard for the reinstatement of capitalism in the former communist countries. He said, "Do yo... ...; Wade was quickly contradicted from the audience by Jack Ruby, who claimed that Oswald was a member of the leftish Fair Play for Cuba Committee. Del Valle, who was one of several people that New Orleans District Attorney Jim Garrison sought out in connection with the JFK assassination, was killed the same day that Dave Ferrie, another suspect met a suspicious death. When found in Miami, del Valle's body showed evidence of having been tortured, bludgeoned, and shot. 3 The bankers of the Federal Reserve System print paper money, then lend it to the government at an interest. Kennedy signed an executive order issuing over $4 billion in currency notes through the U.S. Treasury, thus bypassing the Fed's bankers and the hundreds of millions of dollars in interest that would normally be paid out to them. These "United States Notes" were quickly withdrawn after JFK's assassination. 4 See Mark Lane, Plausible Denial; Was the CIA Involved in the Assassination of JFK? (New York: Thunder's Mouth Press, 1991). For testimony of another participant see Robert Morrow: First Hand Knowledge: How I Participated in the CIA-Mafia Murder of President Kennedy (New York: S.P.I. Books, 1992).

Microsoft: Trust or Antitrust? :: Argumentative Persuasive Argument

Microsoft: Trust or Antitrust? "Oh, come on, just trust me." Those six simple words have been the pleadings of many when, for whatever reason, they find themselves in a situation, where others don't give their actions or claims any credibility. They have nothing left to fall upon, except the hope that they can be thought of as trustworthy, and that others are willing to give them an opportunity. This is the situation Microsoft has found itself in, and in response, they have launched "Trustworthy Computing," a campaign to help gain credibility and respect in the marketplace. Why, you might ask, is a company that controls 90 percent of its market worried about public perception? Why would such a major influence in the computer industry shut down production of new software, in an attempt to correct countless errors? Why did Bill Gates hire Wieden and Kennedy, the advertising agency that gave us such things as the Nike Swoosh, to change Microsoft's public image? It is because the people at Microsoft have realized that consumers use their software not because they want to, but because they have no other choice. As I sit here writing my paper in Microsoft Word, listening to a CD play in Windows Media Player, surfing the internet for sources in Microsoft Internet Explorer, all parts of my Windows XP setup, it might seem that Microsoft has itself entrenched in my life and that of the computer industry. Yet, the powers that be at Microsoft aren't just sitting around watching their MS Office licensing fees come in, they've sounded the alarm. "There must have been a moment of crisis, either they were feeling insecure, or Microsoft was putting pressure on them," Erik Adigard, a former consultant for Microsoft, suggests. The root of the problem may be, as Sara Basse observed, "Programmers and system designers are often overconfident too, and do not give enough thought to the potential consequences of errors or poor design." Those oversights are the reason that Microsoft shut down most of its production of programs, and instead shifted resources to correct bugs and errors in pre-existing programs. One might then, wonder why Microsoft has sold programs with errors, and instead of taking the time to correct the mistakes of past versions, they have moved on to completely new concepts. It appears that Microsoft has gotten the message from its consumers. They have begun unprecedented disclosures of their codes to their competitors, so that they are better able to integrate their programs into Windows.

Changes to the set context due to the system Essay

There will obviously have to be some changes to how the cinema is run because of ICT and the system. The system will have to be maintained and it will also have to be prioritised over other methods of advertising. The reason for this is because, this will soon probably become the most efficient and most used method to find out facts about the cinema. This is going to change many things in the cinema. The cinema is going to hire people who can manage websites and know how ICT works and are willing t put in extra effort to improve and maintain their improvements to the system. It is likely that someone is going to loose their job because of the switch from so called analogue to technological devices. The new posts will require candidates who have had experience with basic technical devices and know how things work. Therefore I believe that when coming to choose these new candidates we will soon realise the difference in job profiles and the different experiences which the candidates will have. The switch to technological devices will most defiantly see new posts created and jobs lost, but this is for the advantage to some and the disadvantage to others. The new kind of devices which could be introduced to the set context could be things like; 1. New tills 2. Bar code readers 3. Bar codes 4. Printing machines 5. New computer systems 6. New programs These are just a few of the things which might be changed because of the effect of ICT. The old people may not know how to operate the new devices, and it will probably be more worth while for the company to introduce a fresh face to the cinema with new staff who can carry out the tasks which the old were performing and also have the advantage over the old ones because of their knowledge on technical devices. The old staff may be reliable and worthy of their job, so the cinema might decide to offer training to certain individuals. This is a possibility for the cinema if they don’t want to loose some of their employees. The cinema also has to think about the fact that training is more expensive then replacing the old staff with new staff. It would be easier to do this, but the cinema doesn’t know how reliable the new staff may be. This could be an issue to think about. They might have all the knowledge but they might not be willing to work as hard of as efficiently as the old staff. This could affect business in a strong way. There are two possibilities; 1. Replacing the current staff 2. Training the current staff The system which I my self have created is a major fact to be considered in this decision on what to do with the staff. It is more then likely that new staff will have to be introduced to maintain the site or staff can be trained to do it. The current staff may have a small amount of experience with computers and different types of systems, but I believe that the new system which I have created for advertisement is completely different. The kind of things which have to be done to maintain and update the system is completely different to using the current system. The staff needs to learn how to use new programs and operate FTP programs. It is possible to offer new posts for certain jobs and to keep some of the posts which are already at the cinema. The new posts could be offered to the people who can do things which others can’t. For example, maintaining the system. The kind of jibs which can be kept would be selling tickets and refreshments. These are just a few of the changes which can be made. Training can be offered to those on the tills so that they can adjust to the new system. The reason why it is a good idea to keep some of the old staff and to get some new staff is because, if the majority of your staff are dismissed because they don’t know how to use technical devices then there is going to be a certain amount of anger towards the cinema, and this could potentially ruin the name of the company.

John Pope Paul Iii Movie Reflection

December 9, 2010 Reflection on Pope John Paul II movie I found the movie Pope John Paul II very interesting and spiritually moving. God tells us in the bible that following him is not free of tribulation. He comforts by telling us he will not put anything against us that we cannot overcome. Sacrifice is one the key ingredients that comes with following the Lord. Pope John Paul II is a wonderful role model to follow when it comes to sacrifice. When the Nazis were trying to put an end to religion Karol was busy studying Gods word. By doing this, he is willing to sacrificing his life, because if he was caught he would be killed.He spent much of his younger years with friends, teaching them about human dignity and God. Before his Cardinal Years Karol sacrificed having a wife and children so that he could follow his passion for the Catholic religion and become a priest. After many years he was elected Cardinal and then Pope of Poland. Another moral issue in this film is the commitment of many mortal sins. Murder is the main sin seen throughout the movie. The Nazi’s wanted the polish to be miserable and gave them little freedom. If anyone was found rebelling against their strict laws they would be beaten and killed.This sin is repeated numerous times a day, and in great numbers. Even after the war died down murder wasn’t over. This is seen When Pope John Paul II life was unexpectedly put in danger when someone shot at him while he was making an appearance in public. Pope John Paul II fought for his life and continued to try and bring peace among people. All in all this movie is a wonderful example of what it means to follow Christianity. Pope John Paul II is a delightful man who brought a sense of comfort with him when speaking to the people. I found this movie very enjoyable and would recommend it to many people.

Odwalla Case Essay

Odwalla Incorporate is known for high quality products and it takes pride in the way the juices are made. However, with E. coli crisis it has become extremely difficult to maintain that standard unless Odwalla designs a proper strategy to counter the effect. I will help you design a communication strategy for each stakeholder to emerge from this crisis, regain loyalty and improve brand image. Odwalla must take full ownership of this crisis and communicate to its stakeholders about the recall process, quality assurance policies and steps taken to resolve the issue. The timing and the process is extremely important to communicate effectively. Below are the list of key issues and the communication strategies for each stakeholder that will help get through this crisis. KEY ISSUES Some of the key issues that Odwalla face because of the E. coli breakout are: †¢Determining communication strategy to respond in the crisis †¢Identifying pasteurizing methods to maintain the same taste and quality †¢Maintaining current core competency – use of minimal production processes to deliver superior taste and nutritional values †¢Researching side effects of adding chlorine, as suggested by a quality assurance manager †¢Identifying ways to provide safe products in future †¢Identifying ways to maintain the customer loyalty †¢Identifying strategy to regain stakeholders’ faith †¢Handling lawsuits from affected consumers These issues will affect the company’s future business operations. Therefore, Odwalla must take immediate action to contain the breakout and find solution to avoid re-occurrence in future. COMMUNICATION STRATEGIES FOR EACH STAKEHOLDER Odwalla must communicate with all of its stakeholders. The following are the communication strategies for the nine most important Odwalla stakeholders – the affected customers, the public, the employees, the crisis management committee, the distributors, the retailers, the suppliers, the officials, and the shareholders/investors. Affected Customers †¢Apologize immediately and take full responsibility for the crisis to the affected consumers by contacting them by phone or paying a visit †¢Guarantee appropriate measures will be taken to fix the issue †¢Send condolences letters to all consumers who are affected by consuming the Odwalla juice and compensate them for medical costs and hardship Public †¢Launch TV, Radio and Internet advertisements to inform everybody about the crisis and seek apology †¢Regain consumer’s confidence by assuring that this issue will be resolved soon †¢Arrange factory tours for public assurance Employees †¢Call in for all-employee meeting to explain the crisis and ask employees for ideas to pasteurize the products by maintaining same taste †¢Send out a memo to all employees requesting them to contact crisis management committee with ideas and inquiries †¢Instruct all employees to direct any questions or inquiries from media to Internal communication department Crisis management committee †¢Identify the batch numbers of the affected products †¢Quarantine all the affected products †¢Develop the recovery plan and review with officials before implementation Distributors †¢Send memos to distributors with batch numbers and ask them to recall the products and freeze any supply going to the retailer †¢Tell distributors to dispose all the products matching the batch numbers given to them Retailers †¢Send memos to retailers with batch number and ask them to recall the affected products. †¢Work with retailers for any customer re-funds requests Suppliers †¢Suspend receiving of all the supplies from the suppliers †¢Ask suppliers to look for E. coli in their supplies and urge them to take appropriate actions †¢Discuss with supplier for ideas and methods to avoid any contamination even before the products get to Odwalla facility Officials †¢Communicate openly with the health agencies and law officials by cooperating with the investigation process †¢Explain the recovery plan developed by crisis management committee †¢Get certified for the process from the health agencies Shareholders/Investors †¢Call for immediate Board of director meeting and explain the crisis, recovery plan and cost of fixing the crisis NEXT STEP Odwalla must take immediate action to avoid damage to customer’s confidence level and lose faith in stakeholders. In order to resolve the issue quickly Odwalla must take following important steps: †¢Identify the contaminated batch numbers †¢Quarantine the contaminated products †¢Communicate with all stakeholders †¢Find the root-cause of contamination †¢Implement the solution from root-cause analysis †¢Get approval from health agencies †¢Keep consumers updated via advertisements – TV, Radio, Newspapers and Flyers †¢Organize factory tour for customer satisfaction FINAL WORDS Odwalla must communicate immediately by enforcing the communication strategies. The consequences for not communicating effectively are worse and will affect from losing customers to long lawsuits and filing bankruptcy. It will be very challenging to find a solution that will maintain the same taste and not to have pasteurized the products. However, you will find smart and effective ways of communicating with stakeholders in this memo that will not only help Odwalla regain the lost glory but also avoid any adverse implications. With every Core Competencies, there are rewards and crisis. Odwalla must embrace this crisis as a lesson learned and use this experience to come up with new tools and technologies for production process and live up to its vision: â€Å"Odwalla’s vision has always been to nourish people everywhere with the ineffably honest art and rhythm of nature’s offerings. We live on the principle of respect for our consumers who rely on us for consistent quality in taste and nourishment and respect for the earth on which we rely for holistic nourishment† I would like you to consider my communication strategies and be calm and patient in handling the crisis. Please feel free to contact me for any questions you may have.

Impacts Of Poverty On Student’s Achievement Essay

Poverty is an issue faced by more children in our nation. Children face problems related to poverty during their schooling. The price that children pay out of poverty is incredibly high than anyone can imagine. Each year, schools admit large numbers of children with needs brought about by poverty which is an issue that the school is usually not prepared to deal with. Poverty is a risk factor in the process of student’s education. This paper examines the impacts of poverty on teaching and learning which determines the student’s academic achievement. The concept of being at risk This term refers to students who are faced by life’s social circumstances such as poverty that puts them at risk of underachieving in school. There are many risk factors which increases the chances of a student to failure. However poverty is regarded a major risk factor due to its compound effect. Some of the factors that are related to poverty and put a student at greater risk of failing include, very young parents, unemployment, low educational level parents, substance abuse, exposure to inadequate or improper educational experiences, dangerous neighborhood, mobility, abuse and neglect as well as homelessness. (Gromard, 2003) These factors affect the physical status of the children as in dressing, the type of food they eat, their personal effects are usually of low quality or cheap. The physical disparities in among the students cause a wide gap between the poor students and their peers from middle or upper class families. Sometimes the isolation of this group of students is automatic in that they themselves assume that others do not want to associate with them. Teachers may also contribute in perceiving students in accordance to their social classes. This is however a rare case because teachers are professionals. Nevertheless, there are some instances that the teacher may talk about an issue in the process of teaching and unintentionally touch the students from poverty stricken families. For example in studying population, the teacher may teach about demographics of poverty which is inevitable. This students may change their attitude towards the teacher and hence the subject. (Knapps, Shields, & Clementina, 2001) High mobility is a symptom associated with poverty in connection to other surrounding factors. Students who come from poor families may live in daily or monthly rent houses. This is makes them to move day in day out as their parents look for jobs or runs away from problems like abusive spouses, financial responsibilities or criminal records. This kind of situation may also put the poor family homeless. The conditions they live in affect their education achievement. This result from the emotional impact that moving impacts on children. The children also are forced to join new schools occasionally where they may find it very difficult to adapt. When this factor combines with other issues related to poverty, overwhelming effects on the students’ social, emotional and cognitive development are experienced. Students from poor families attend school irregularly. Transfers to new schools are a routine which brings about difficulty in socialization with new friends in the new school. This may make the student to become either withdrawn or hostile due to their experiences in their past attempts to make friends. The student may therefore develop an attitude of ‘why bother’ with regard to both social and academic aspect schooling as they will after all be moving soon. Due to the various reasons of moving, which are often abrupt, the student come to the new school without records from their previous school which makes it difficult for the school to track the records. As a result, teachers lack the slightest idea of what the student have or haven’t leant. It is a big challenge for the school to place the new students in a class and provide them with the additional services they may require. Even when the school succeeds in placing the new students in class and providing these services, these students will likely move within the school year. It is also difficult for teachers to teach these kinds of students something valuable as they rarely concentrate. Children from poor families become aware of the social economic classes that exist in the society at a very tender age. They grow being aware of their own class and that of their peers which make them to develop a class related attitude as early as in their elementary schooling years. This attitude id carried on throughout their lives in school. Inferiority complex or aggressiveness may be the end result of this effect of poverty in the student’s life. However teachers can help children build up caring and sensitivity towards various cultures including social classes. Lessons and activities in the school should be designed on how children perceive the world and themselves during the different stages of development. For example at the age of eleven, children can comfortably reflect on the causes and solutions to poverty. Achievement gap Achievement gap is the difference in academic achievement between children from various groups or classes in relation to ethnic, income or race. The achievement of students is generally lower than that of middle and upper classes. However at lower levels, children of poverty achieve more than their peers from well to do families. Children from low income families have more in their minds than quizzes, homework or extracurricular activities. As pointed out earlier in this work some may have spent their nights in the streets due to homelessness, at camps or compounds of their friends or relatives. Therefore they are often engaged in thinking about where they will spend that night as well as caring about their parents who go through hardships trying to look for a living for the family. This affects their concentration in class and other school activities hence affect their performance academically as well as socially. (Brown, 2000) The reason for variation in achievement of students is determined by the social environment the students come from and the education that they receive in school. Poverty influences the quality of student’s learning behaviors, their past experiences with education, home environment and sometimes the teacher’s attitude which greatly affect the individual student performance. Students from poor or low income families are generally worried too much about themselves. They usually feel out of place when interacting with children in other social classes. They may feel that the society is unfair by placing them in poverty. The students may decline from participating in class activities and this affects their learning in school. As proposed by Salvin 2001, schools impact on students’ academic achievements are powerful and the success of all the students regardless of their social economic class depend on the teachers’ perception of these students as at promise rather than at risk and at the same time preparing them to get to their full potentials in life. A good education that is focused is usually the only means of breaking the vicious cycle of poverty for the poor children. These children require an education founded in high standards with high expectation for all. The curriculum should be aligned to ensure that a meticulous and assessment go hand in hand with the standards. The curriculum should avoid a decrease in opportunities for the students from the poor background. What usually takes place in the classroom has influence on the achievement of the students and hence teachers should be careful when passing information to students. (Plumber, 2004) The teacher should avoid at all costs any activity that may discriminate students from poor backgrounds. The content of education should be of value and cultural relevant. Teachers should be aware that the instructional and classroom management methods do not necessarily work well for poor students. The teachers can help in closing the achievement gap.

Angels Demons Chapter 7073

As soon as they’d arrived, Chinita and Glick had seen a veritable army of young men pour out of the Alpha Romeos and surround the church. Some had weapons drawn. One of them, a stiff older man, led a team up the front steps of the church. The soldiers drew guns and blew the locks off the front doors. Macri heard nothing and figured they must have had silencers. Then the soldiers entered. Chinita had recommended they sit tight and film from the shadows. After all, guns were guns, and they had a clear view of the action from the van. Glick had not argued. Now, across the piazza, men moved in and out of the church. They yelled to each other. Chinita adjusted her camera to follow a team as they searched the surrounding area. All of them, though dressed in civilian clothes, seemed to move with military precision. â€Å"Who do you think they are?† she asked. â€Å"Hell if I know.† Glick looked riveted. â€Å"You getting all this?† â€Å"Every frame.† Glick sounded smug. â€Å"Still think we should go back to Pope-Watch?† Chinita wasn’t sure what to say. There was obviously something going on here, but she had been in journalism long enough to know that there was often a very dull explanation for interesting events. â€Å"This could be nothing,† she said. â€Å"These guys could have gotten the same tip you got and are just checking it out. Could be a false alarm.† Glick grabbed her arm. â€Å"Over there! Focus.† He pointed back to the church. Chinita swung the camera back to the top of the stairs. â€Å"Hello there,† she said, training on the man now emerging from the church. â€Å"Who’s the dapper?† Chinita moved in for a close-up. â€Å"Haven’t seen him before.† She tightened in on the man’s face and smiled. â€Å"But I wouldn’t mind seeing him again.† Robert Langdon dashed down the stairs outside the church and into the middle of the piazza. It was getting dark now, the springtime sun setting late in southern Rome. The sun had dropped below the surrounding buildings, and shadows streaked the square. â€Å"Okay, Bernini,† he said aloud to himself. â€Å"Where the hell is your angel pointing?† He turned and examined the orientation of the church from which he had just come. He pictured the Chigi Chapel inside, and the sculpture of the angel inside that. Without hesitation he turned due west, into the glow of the impending sunset. Time was evaporating. â€Å"Southwest,† he said, scowling at the shops and apartments blocking his view. â€Å"The next marker is out there.† Racking his brain, Langdon pictured page after page of Italian art history. Although very familiar with Bernini’s work, Langdon knew the sculptor had been far too prolific for any nonspecialist to know all of it. Still, considering the relative fame of the first marker – Habakkuk and the Angel – Langdon hoped the second marker was a work he might know from memory. Earth, Air, Fire, Water, he thought. Earth they had found – inside the Chapel of the Earth – Habakkuk, the prophet who predicted the earth’s annihilation. Air is next. Langdon urged himself to think. A Bernini sculpture that has something to do with Air! He was drawing a total blank. Still he felt energized. I’m on the path of Illumination! It is still intact! Looking southwest, Langdon strained to see a spire or cathedral tower jutting up over the obstacles. He saw nothing. He needed a map. If they could figure out what churches were southwest of here, maybe one of them would spark Langdon’s memory. Air, he pressed. Air. Bernini. Sculpture. Air. Think! Langdon turned and headed back up the cathedral stairs. He was met beneath the scaffolding by Vittoria and Olivetti. â€Å"Southwest,† Langdon said, panting. â€Å"The next church is southwest of here.† Olivetti’s whisper was cold. â€Å"You sure this time?† Langdon didn’t bite. â€Å"We need a map. One that shows all the churches in Rome.† The commander studied him a moment, his expression never changing. Langdon checked his watch. â€Å"We only have half an hour.† Olivetti moved past Langdon down the stairs toward his car, parked directly in front of the cathedral. Langdon hoped he was going for a map. Vittoria looked excited. â€Å"So the angel’s pointing southwest? No idea which churches are southwest?† â€Å"I can’t see past the damn buildings.† Langdon turned and faced the square again. â€Å"And I don’t know Rome’s churches well enou – † He stopped. Vittoria looked startled. â€Å"What?† Langdon looked out at the piazza again. Having ascended the church stairs, he was now higher, and his view was better. He still couldn’t see anything, but he realized he was moving in the right direction. His eyes climbed the tower of rickety scaffolding above him. It rose six stories, almost to the top of the church’s rose window, far higher than the other buildings in the square. He knew in an instant where he was headed. Across the square, Chinita Macri and Gunther Glick sat glued to the windshield of the BBC van. â€Å"You getting this?† Gunther asked. Macri tightened her shot on the man now climbing the scaffolding. â€Å"He’s a little well dressed to be playing Spiderman if you ask me.† â€Å"And who’s Ms. Spidey?† Chinita glanced at the attractive woman beneath the scaffolding. â€Å"Bet you’d like to find out.† â€Å"Think I should call editorial?† â€Å"Not yet. Let’s watch. Better to have something in the can before we admit we abandoned conclave.† â€Å"You think somebody really killed one of the old farts in there?† Chinita clucked. â€Å"You’re definitely going to hell.† â€Å"And I’ll be taking the Pulitzer with me.† 71 The scaffolding seemed less stable the higher Langdon climbed. His view of Rome, however, got better with every step. He continued upward. He was breathing harder than he expected when he reached the upper tier. He pulled himself onto the last platform, brushed off the plaster, and stood up. The height did not bother him at all. In fact, it was invigorating. The view was staggering. Like an ocean on fire, the red-tiled rooftops of Rome spread out before him, glowing in the scarlet sunset. From that spot, for the first time in his life, Langdon saw beyond the pollution and traffic of Rome to its ancient roots – Citt di Dio – The city of God. Squinting into the sunset, Langdon scanned the rooftops for a church steeple or bell tower. But as he looked farther and farther toward the horizon, he saw nothing. There are hundreds of churches in Rome, he thought. There must be one southwest of here! If the church is even visible, he reminded himself. Hell, if the church is even still standing! Forcing his eyes to trace the line slowly, he attempted the search again. He knew, of course, that not all churches would have visible spires, especially smaller, out-of-the-way sanctuaries. Not to mention, Rome had changed dramatically since the 1600s when churches were by law the tallest buildings allowed. Now, as Langdon looked out, he saw apartment buildings, high-rises, TV towers. For the second time, Langdon’s eye reached the horizon without seeing anything. Not one single spire. In the distance, on the very edge of Rome, Michelangelo’s massive dome blotted the setting sun. St. Peter’s Basilica. Vatican City. Langdon found himself wondering how the cardinals were faring, and if the Swiss Guards’ search had turned up the antimatter. Something told him it hadn’t†¦ and wouldn’t. The poem was rattling through his head again. He considered it, carefully, line by line. From Santi’s earthly tomb with demon’s hole. They had found Santi’s tomb. ‘Cross Rome the mystic elements unfold. The mystic elements were Earth, Air, Fire, Water. The path of light is laid, the sacred test. The path of Illumination formed by Bernini’s sculptures. Let angels guide you on your lofty quest. The angel was pointing southwest†¦ â€Å"Front stairs!† Glick exclaimed, pointing wildly through the windshield of the BBC van. â€Å"Something’s going on!† Macri dropped her shot back down to the main entrance. Something was definitely going on. At the bottom of the stairs, the military-looking man had pulled one of the Alpha Romeos close to the stairs and opened the trunk. Now he was scanning the square as if checking for onlookers. For a moment, Macri thought the man had spotted them, but his eyes kept moving. Apparently satisfied, he pulled out a walkie-talkie and spoke into it. Almost instantly, it seemed an army emerged from the church. Like an American football team breaking from a huddle, the soldiers formed a straight line across the top of the stairs. Moving like a human wall, they began to descend. Behind them, almost entirely hidden by the wall, four soldiers seemed to be carrying something. Something heavy. Awkward. Glick leaned forward on the dashboard. â€Å"Are they stealing something from the church?† Chinita tightened her shot even more, using the telephoto to probe the wall of men, looking for an opening. One split second, she willed. A single frame. That’s all I need. But the men moved as one. Come on! Macri stayed with them, and it paid off. When the soldiers tried to lift the object into the trunk, Macri found her opening. Ironically, it was the older man who faltered. Only for an instant, but long enough. Macri had her frame. Actually, it was more like ten frames. â€Å"Call editorial,† Chinita said. â€Å"We’ve got a dead body.† Far away, at CERN, Maximilian Kohler maneuvered his wheelchair into Leonardo Vetra’s study. With mechanical efficiency, he began sifting through Vetra’s files. Not finding what he was after, Kohler moved to Vetra’s bedroom. The top drawer of his bedside table was locked. Kohler pried it open with a knife from the kitchen. Inside Kohler found exactly what he was looking for. 72 Langdon swung off the scaffolding and dropped back to the ground. He brushed the plaster dust from his clothes. Vittoria was there to greet him. â€Å"No luck?† she said. He shook his head. â€Å"They put the cardinal in the trunk.† Langdon looked over to the parked car where Olivetti and a group of soldiers now had a map spread out on the hood. â€Å"Are they looking southwest?† She nodded. â€Å"No churches. From here the first one you hit is St. Peter’s.† Langdon grunted. At least they were in agreement. He moved toward Olivetti. The soldiers parted to let him through. Olivetti looked up. â€Å"Nothing. But this doesn’t show every last church. Just the big ones. About fifty of them.† â€Å"Where are we?† Langdon asked. Olivetti pointed to Piazza del Popolo and traced a straight line exactly southwest. The line missed, by a substantial margin, the cluster of black squares indicating Rome’s major churches. Unfortunately, Rome’s major churches were also Rome’s older churches†¦ those that would have been around in the 1600s. â€Å"I’ve got some decisions to make,† Olivetti said. â€Å"Are you certain of the direction?† Langdon pictured the angel’s outstretched finger, the urgency rising in him again. â€Å"Yes, sir. Positive.† Olivetti shrugged and traced the straight line again. The path intersected the Margherita Bridge, Via Cola di Riezo, and passed through Piazza del Risorgimento, hitting no churches at all until it dead-ended abruptly at the center of St. Peter’s Square. â€Å"What’s wrong with St. Peter’s?† one of the soldiers said. He had a deep scar under his left eye. â€Å"It’s a church.† Langdon shook his head. â€Å"Needs to be a public place. Hardly seems public at the moment.† â€Å"But the line goes through St. Peter’s Square,† Vittoria added, looking over Langdon’s shoulder. â€Å"The square is public.† Langdon had already considered it. â€Å"No statues, though.† â€Å"Isn’t there a monolith in the middle?† She was right. There was an Egyptian monolith in St. Peter’s Square. Langdon looked out at the monolith in the piazza in front of them. The lofty pyramid. An odd coincidence, he thought. He shook it off. â€Å"The Vatican’s monolith is not by Bernini. It was brought in by Caligula. And it has nothing to do with Air.† There was another problem as well. â€Å"Besides, the poem says the elements are spread across Rome. St. Peter’s Square is in Vatican City. Not Rome.† â€Å"Depends who you ask,† a guard interjected. Langdon looked up. â€Å"What?† â€Å"Always a bone of contention. Most maps show St. Peter’s Square as part of Vatican City, but because it’s outside the walled city, Roman officials for centuries have claimed it as part of Rome.† â€Å"You’re kidding,† Langdon said. He had never known that. â€Å"I only mention it,† the guard continued, â€Å"because Commander Olivetti and Ms. Vetra were asking about a sculpture that had to do with Air.† Langdon was wide-eyed. â€Å"And you know of one in St. Peter’s Square?† â€Å"Not exactly. It’s not really a sculpture. Probably not relevant.† â€Å"Let’s hear it,† Olivetti pressed. The guard shrugged. â€Å"The only reason I know about it is because I’m usually on piazza duty. I know every corner of St. Peter’s Square.† â€Å"The sculpture,† Langdon urged. â€Å"What does it look like?† Langdon was starting to wonder if the Illuminati could really have been gutsy enough to position their second marker right outside St. Peter’s Church. â€Å"I patrol past it every day,† the guard said. â€Å"It’s in the center, directly where that line is pointing. That’s what made me think of it. As I said, it’s not really a sculpture. It’s more of a†¦ block.† Olivetti looked mad. â€Å"A block?† â€Å"Yes, sir. A marble block embedded in the square. At the base of the monolith. But the block is not a rectangle. It’s an ellipse. And the block is carved with the image of a billowing gust of wind.† He paused. â€Å"Air, I suppose, if you wanted to get scientific about it.† Langdon stared at the young soldier in amazement. â€Å"A relief!† he exclaimed suddenly. Everyone looked at him. â€Å"Relief,† Langdon said, â€Å"is the other half of sculpture!† Sculpture is the art of shaping figures in the round and also in relief. He had written the definition on chalkboards for years. Reliefs were essentially two-dimensional sculptures, like Abraham Lincoln’s profile on the penny. Bernini’s Chigi Chapel medallions were another perfect example. â€Å"Bassorelievo?† the guard asked, using the Italian art term. â€Å"Yes! Bas-relief!† Langdon rapped his knuckles on the hood. â€Å"I wasn’t thinking in those terms! That tile you’re talking about in St. Peter’s Square is called the West Ponente – the West Wind. It’s also known as Respiro di Dio.† â€Å"Breath of God?† â€Å"Yes! Air! And it was carved and put there by the original architect!† Vittoria looked confused. â€Å"But I thought Michelangelo designed St. Peter’s.† â€Å"Yes, the basilica!† Langdon exclaimed, triumph in his voice. â€Å"But St. Peter’s Square was designed by Bernini!† As the caravan of Alpha Romeos tore out of Piazza del Popolo, everyone was in too much of a hurry to notice the BBC van pulling out behind them. 73 Gunther Glick floored the BBC van’s accelerator and swerved through traffic as he tailed the four speeding Alpha Romeos across the Tiber River on Ponte Margherita. Normally Glick would have made an effort to maintain an inconspicuous distance, but today he could barely keep up. These guys were flying. Macri sat in her work area in the back of the van finishing a phone call with London. She hung up and yelled to Glick over the sound of the traffic. â€Å"You want the good news or bad news?† Glick frowned. Nothing was ever simple when dealing with the home office. â€Å"Bad news.† â€Å"Editorial is burned we abandoned our post.† â€Å"Surprise.† â€Å"They also think your tipster is a fraud.† â€Å"Of course.† â€Å"And the boss just warned me that you’re a few crumpets short of a proper tea.† Glick scowled. â€Å"Great. And the good news?† â€Å"They agreed to look at the footage we just shot.† Glick felt his scowl soften into a grin. I guess we’ll see who’s short a few crumpets. â€Å"So fire it off.† â€Å"Can’t transmit until we stop and get a fixed cell read.† Glick gunned the van onto Via Cola di Rienzo. â€Å"Can’t stop now.† He tailed the Alpha Romeos through a hard left swerve around Piazza Risorgimento. Macri held on to her computer gear in back as everything slid. â€Å"Break my transmitter,† she warned, â€Å"and we’ll have to walk this footage to London.† â€Å"Sit tight, love. Something tells me we’re almost there.† Macri looked up. â€Å"Where?† Glick gazed out at the familiar dome now looming directly in front of them. He smiled. â€Å"Right back where we started.† The four Alpha Romeos slipped deftly into traffic surrounding St. Peter’s Square. They split up and spread out along the piazza perimeter, quietly unloading men at select points. The debarking guards moved into the throng of tourists and media vans on the edge of the square and instantly became invisible. Some of the guards entered the forest of pillars encompassing the colonnade. They too seemed to evaporate into the surroundings. As Langdon watched through the windshield, he sensed a noose tightening around St. Peter’s. In addition to the men Olivetti had just dispatched, the commander had radioed ahead to the Vatican and sent additional undercover guards to the center where Bernini’s West Ponente was located. As Langdon looked out at the wide-open spaces of St. Peter’s Square, a familiar question nagged. How does the Illuminati assassin plan to get away with this? How will he get a cardinal through all these people and kill him in plain view? Langdon checked his Mickey Mouse watch. It was 8:54 P.M. Six minutes. In the front seat, Olivetti turned and faced Langdon and Vittoria. â€Å"I want you two right on top of this Bernini brick or block or whatever the hell it is. Same drill. You’re tourists. Use the phone if you see anything.† Before Langdon could respond, Vittoria had his hand and was pulling him out of the car. The springtime sun was setting behind St. Peter’s Basilica, and a massive shadow spread, engulfing the piazza. Langdon felt an ominous chill as he and Vittoria moved into the cool, black umbra. Snaking through the crowd, Langdon found himself searching every face they passed, wondering if the killer was among them. Vittoria’s hand felt warm. As they crossed the open expanse of St. Peter’s Square, Langdon sensed Bernini’s sprawling piazza having the exact effect the artist had been commissioned to create – that of â€Å"humbling all those who entered.† Langdon certainly felt humbled at the moment. Humbled and hungry, he realized, surprised such a mundane thought could enter his head at a moment like this. â€Å"To the obelisk?† Vittoria asked. Langdon nodded, arching left across the piazza. â€Å"Time?† Vittoria asked, walking briskly, but casually. â€Å"Five of.† Vittoria said nothing, but Langdon felt her grip tighten. He was still carrying the gun. He hoped Vittoria would not decide she needed it. He could not imagine her whipping out a weapon in St. Peter’s Square and blowing away the kneecaps of some killer while the global media looked on. Then again, an incident like that would be nothing compared to the branding and murder of a cardinal out here. Air, Langdon thought. The second element of science. He tried to picture the brand. The method of murder. Again he scanned the sprawling expanse of granite beneath his feet – St. Peter’s Square – an open desert surrounded by Swiss Guard. If the Hassassin really dared attempt this, Langdon could not imagine how he would escape. In the center of the piazza rose Caligula’s 350-ton Egyptian obelisk. It stretched eighty-one feet skyward to the pyramidal apex onto which was affixed a hollow iron cross. Sufficiently high to catch the last of the evening sun, the cross shone as if magic†¦ purportedly containing relics of the cross on which Christ was crucified. Two fountains flanked the obelisk in perfect symmetry. Art historians knew the fountains marked the exact geometric focal points of Bernini’s elliptical piazza, but it was an architectural oddity Langdon had never really considered until today. It seemed Rome was suddenly filled with ellipses, pyramids, and startling geometry. As they neared the obelisk, Vittoria slowed. She exhaled heavily, as if coaxing Langdon to relax along with her. Langdon made the effort, lowering his shoulders and loosening his clenched jaw. Somewhere around the obelisk, boldly positioned outside the largest church in the world, was the second altar of science – Bernini’s West Ponente – an elliptical block in St. Peter’s Square. Gunther Glick watched from the shadows of the pillars surrounding St. Peter’s Square. On any other day the man in the tweed jacket and the woman in khaki shorts would not have interested him in the least. They appeared to be nothing but tourists enjoying the square. But today was not any other day. Today had been a day of phone tips, corpses, unmarked cars racing through Rome, and men in tweed jackets climbing scaffolding in search of God only knew what. Glick would stay with them. He looked out across the square and saw Macri. She was exactly where he had told her to go, on the far side of the couple, hovering on their flank. Macri carried her video camera casually, but despite her imitation of a bored member of the press, she stood out more than Glick would have liked. No other reporters were in this far corner of the square, and the acronym â€Å"BBC† stenciled on her camera was drawing some looks from tourists. The tape Macri had shot earlier of the naked body dumped in the trunk was playing at this very moment on the VCR transmitter back in the van. Glick knew the images were sailing over his head right now en route to London. He wondered what editorial would say. He wished he and Macri had reached the body sooner, before the army of plainclothed soldiers had intervened. The same army, he knew, had now fanned out and surrounded this piazza. Something big was about to happen. The media is the right arm of anarchy, the killer had said. Glick wondered if he had missed his chance for a big scoop. He looked out at the other media vans in the distance and watched Macri tailing the mysterious couple across the piazza. Something told Glick he was still in the game†¦ Angels Demons Chapter 7073 As soon as they’d arrived, Chinita and Glick had seen a veritable army of young men pour out of the Alpha Romeos and surround the church. Some had weapons drawn. One of them, a stiff older man, led a team up the front steps of the church. The soldiers drew guns and blew the locks off the front doors. Macri heard nothing and figured they must have had silencers. Then the soldiers entered. Chinita had recommended they sit tight and film from the shadows. After all, guns were guns, and they had a clear view of the action from the van. Glick had not argued. Now, across the piazza, men moved in and out of the church. They yelled to each other. Chinita adjusted her camera to follow a team as they searched the surrounding area. All of them, though dressed in civilian clothes, seemed to move with military precision. â€Å"Who do you think they are?† she asked. â€Å"Hell if I know.† Glick looked riveted. â€Å"You getting all this?† â€Å"Every frame.† Glick sounded smug. â€Å"Still think we should go back to Pope-Watch?† Chinita wasn’t sure what to say. There was obviously something going on here, but she had been in journalism long enough to know that there was often a very dull explanation for interesting events. â€Å"This could be nothing,† she said. â€Å"These guys could have gotten the same tip you got and are just checking it out. Could be a false alarm.† Glick grabbed her arm. â€Å"Over there! Focus.† He pointed back to the church. Chinita swung the camera back to the top of the stairs. â€Å"Hello there,† she said, training on the man now emerging from the church. â€Å"Who’s the dapper?† Chinita moved in for a close-up. â€Å"Haven’t seen him before.† She tightened in on the man’s face and smiled. â€Å"But I wouldn’t mind seeing him again.† Robert Langdon dashed down the stairs outside the church and into the middle of the piazza. It was getting dark now, the springtime sun setting late in southern Rome. The sun had dropped below the surrounding buildings, and shadows streaked the square. â€Å"Okay, Bernini,† he said aloud to himself. â€Å"Where the hell is your angel pointing?† He turned and examined the orientation of the church from which he had just come. He pictured the Chigi Chapel inside, and the sculpture of the angel inside that. Without hesitation he turned due west, into the glow of the impending sunset. Time was evaporating. â€Å"Southwest,† he said, scowling at the shops and apartments blocking his view. â€Å"The next marker is out there.† Racking his brain, Langdon pictured page after page of Italian art history. Although very familiar with Bernini’s work, Langdon knew the sculptor had been far too prolific for any nonspecialist to know all of it. Still, considering the relative fame of the first marker – Habakkuk and the Angel – Langdon hoped the second marker was a work he might know from memory. Earth, Air, Fire, Water, he thought. Earth they had found – inside the Chapel of the Earth – Habakkuk, the prophet who predicted the earth’s annihilation. Air is next. Langdon urged himself to think. A Bernini sculpture that has something to do with Air! He was drawing a total blank. Still he felt energized. I’m on the path of Illumination! It is still intact! Looking southwest, Langdon strained to see a spire or cathedral tower jutting up over the obstacles. He saw nothing. He needed a map. If they could figure out what churches were southwest of here, maybe one of them would spark Langdon’s memory. Air, he pressed. Air. Bernini. Sculpture. Air. Think! Langdon turned and headed back up the cathedral stairs. He was met beneath the scaffolding by Vittoria and Olivetti. â€Å"Southwest,† Langdon said, panting. â€Å"The next church is southwest of here.† Olivetti’s whisper was cold. â€Å"You sure this time?† Langdon didn’t bite. â€Å"We need a map. One that shows all the churches in Rome.† The commander studied him a moment, his expression never changing. Langdon checked his watch. â€Å"We only have half an hour.† Olivetti moved past Langdon down the stairs toward his car, parked directly in front of the cathedral. Langdon hoped he was going for a map. Vittoria looked excited. â€Å"So the angel’s pointing southwest? No idea which churches are southwest?† â€Å"I can’t see past the damn buildings.† Langdon turned and faced the square again. â€Å"And I don’t know Rome’s churches well enou – † He stopped. Vittoria looked startled. â€Å"What?† Langdon looked out at the piazza again. Having ascended the church stairs, he was now higher, and his view was better. He still couldn’t see anything, but he realized he was moving in the right direction. His eyes climbed the tower of rickety scaffolding above him. It rose six stories, almost to the top of the church’s rose window, far higher than the other buildings in the square. He knew in an instant where he was headed. Across the square, Chinita Macri and Gunther Glick sat glued to the windshield of the BBC van. â€Å"You getting this?† Gunther asked. Macri tightened her shot on the man now climbing the scaffolding. â€Å"He’s a little well dressed to be playing Spiderman if you ask me.† â€Å"And who’s Ms. Spidey?† Chinita glanced at the attractive woman beneath the scaffolding. â€Å"Bet you’d like to find out.† â€Å"Think I should call editorial?† â€Å"Not yet. Let’s watch. Better to have something in the can before we admit we abandoned conclave.† â€Å"You think somebody really killed one of the old farts in there?† Chinita clucked. â€Å"You’re definitely going to hell.† â€Å"And I’ll be taking the Pulitzer with me.† 71 The scaffolding seemed less stable the higher Langdon climbed. His view of Rome, however, got better with every step. He continued upward. He was breathing harder than he expected when he reached the upper tier. He pulled himself onto the last platform, brushed off the plaster, and stood up. The height did not bother him at all. In fact, it was invigorating. The view was staggering. Like an ocean on fire, the red-tiled rooftops of Rome spread out before him, glowing in the scarlet sunset. From that spot, for the first time in his life, Langdon saw beyond the pollution and traffic of Rome to its ancient roots – Citt di Dio – The city of God. Squinting into the sunset, Langdon scanned the rooftops for a church steeple or bell tower. But as he looked farther and farther toward the horizon, he saw nothing. There are hundreds of churches in Rome, he thought. There must be one southwest of here! If the church is even visible, he reminded himself. Hell, if the church is even still standing! Forcing his eyes to trace the line slowly, he attempted the search again. He knew, of course, that not all churches would have visible spires, especially smaller, out-of-the-way sanctuaries. Not to mention, Rome had changed dramatically since the 1600s when churches were by law the tallest buildings allowed. Now, as Langdon looked out, he saw apartment buildings, high-rises, TV towers. For the second time, Langdon’s eye reached the horizon without seeing anything. Not one single spire. In the distance, on the very edge of Rome, Michelangelo’s massive dome blotted the setting sun. St. Peter’s Basilica. Vatican City. Langdon found himself wondering how the cardinals were faring, and if the Swiss Guards’ search had turned up the antimatter. Something told him it hadn’t†¦ and wouldn’t. The poem was rattling through his head again. He considered it, carefully, line by line. From Santi’s earthly tomb with demon’s hole. They had found Santi’s tomb. ‘Cross Rome the mystic elements unfold. The mystic elements were Earth, Air, Fire, Water. The path of light is laid, the sacred test. The path of Illumination formed by Bernini’s sculptures. Let angels guide you on your lofty quest. The angel was pointing southwest†¦ â€Å"Front stairs!† Glick exclaimed, pointing wildly through the windshield of the BBC van. â€Å"Something’s going on!† Macri dropped her shot back down to the main entrance. Something was definitely going on. At the bottom of the stairs, the military-looking man had pulled one of the Alpha Romeos close to the stairs and opened the trunk. Now he was scanning the square as if checking for onlookers. For a moment, Macri thought the man had spotted them, but his eyes kept moving. Apparently satisfied, he pulled out a walkie-talkie and spoke into it. Almost instantly, it seemed an army emerged from the church. Like an American football team breaking from a huddle, the soldiers formed a straight line across the top of the stairs. Moving like a human wall, they began to descend. Behind them, almost entirely hidden by the wall, four soldiers seemed to be carrying something. Something heavy. Awkward. Glick leaned forward on the dashboard. â€Å"Are they stealing something from the church?† Chinita tightened her shot even more, using the telephoto to probe the wall of men, looking for an opening. One split second, she willed. A single frame. That’s all I need. But the men moved as one. Come on! Macri stayed with them, and it paid off. When the soldiers tried to lift the object into the trunk, Macri found her opening. Ironically, it was the older man who faltered. Only for an instant, but long enough. Macri had her frame. Actually, it was more like ten frames. â€Å"Call editorial,† Chinita said. â€Å"We’ve got a dead body.† Far away, at CERN, Maximilian Kohler maneuvered his wheelchair into Leonardo Vetra’s study. With mechanical efficiency, he began sifting through Vetra’s files. Not finding what he was after, Kohler moved to Vetra’s bedroom. The top drawer of his bedside table was locked. Kohler pried it open with a knife from the kitchen. Inside Kohler found exactly what he was looking for. 72 Langdon swung off the scaffolding and dropped back to the ground. He brushed the plaster dust from his clothes. Vittoria was there to greet him. â€Å"No luck?† she said. He shook his head. â€Å"They put the cardinal in the trunk.† Langdon looked over to the parked car where Olivetti and a group of soldiers now had a map spread out on the hood. â€Å"Are they looking southwest?† She nodded. â€Å"No churches. From here the first one you hit is St. Peter’s.† Langdon grunted. At least they were in agreement. He moved toward Olivetti. The soldiers parted to let him through. Olivetti looked up. â€Å"Nothing. But this doesn’t show every last church. Just the big ones. About fifty of them.† â€Å"Where are we?† Langdon asked. Olivetti pointed to Piazza del Popolo and traced a straight line exactly southwest. The line missed, by a substantial margin, the cluster of black squares indicating Rome’s major churches. Unfortunately, Rome’s major churches were also Rome’s older churches†¦ those that would have been around in the 1600s. â€Å"I’ve got some decisions to make,† Olivetti said. â€Å"Are you certain of the direction?† Langdon pictured the angel’s outstretched finger, the urgency rising in him again. â€Å"Yes, sir. Positive.† Olivetti shrugged and traced the straight line again. The path intersected the Margherita Bridge, Via Cola di Riezo, and passed through Piazza del Risorgimento, hitting no churches at all until it dead-ended abruptly at the center of St. Peter’s Square. â€Å"What’s wrong with St. Peter’s?† one of the soldiers said. He had a deep scar under his left eye. â€Å"It’s a church.† Langdon shook his head. â€Å"Needs to be a public place. Hardly seems public at the moment.† â€Å"But the line goes through St. Peter’s Square,† Vittoria added, looking over Langdon’s shoulder. â€Å"The square is public.† Langdon had already considered it. â€Å"No statues, though.† â€Å"Isn’t there a monolith in the middle?† She was right. There was an Egyptian monolith in St. Peter’s Square. Langdon looked out at the monolith in the piazza in front of them. The lofty pyramid. An odd coincidence, he thought. He shook it off. â€Å"The Vatican’s monolith is not by Bernini. It was brought in by Caligula. And it has nothing to do with Air.† There was another problem as well. â€Å"Besides, the poem says the elements are spread across Rome. St. Peter’s Square is in Vatican City. Not Rome.† â€Å"Depends who you ask,† a guard interjected. Langdon looked up. â€Å"What?† â€Å"Always a bone of contention. Most maps show St. Peter’s Square as part of Vatican City, but because it’s outside the walled city, Roman officials for centuries have claimed it as part of Rome.† â€Å"You’re kidding,† Langdon said. He had never known that. â€Å"I only mention it,† the guard continued, â€Å"because Commander Olivetti and Ms. Vetra were asking about a sculpture that had to do with Air.† Langdon was wide-eyed. â€Å"And you know of one in St. Peter’s Square?† â€Å"Not exactly. It’s not really a sculpture. Probably not relevant.† â€Å"Let’s hear it,† Olivetti pressed. The guard shrugged. â€Å"The only reason I know about it is because I’m usually on piazza duty. I know every corner of St. Peter’s Square.† â€Å"The sculpture,† Langdon urged. â€Å"What does it look like?† Langdon was starting to wonder if the Illuminati could really have been gutsy enough to position their second marker right outside St. Peter’s Church. â€Å"I patrol past it every day,† the guard said. â€Å"It’s in the center, directly where that line is pointing. That’s what made me think of it. As I said, it’s not really a sculpture. It’s more of a†¦ block.† Olivetti looked mad. â€Å"A block?† â€Å"Yes, sir. A marble block embedded in the square. At the base of the monolith. But the block is not a rectangle. It’s an ellipse. And the block is carved with the image of a billowing gust of wind.† He paused. â€Å"Air, I suppose, if you wanted to get scientific about it.† Langdon stared at the young soldier in amazement. â€Å"A relief!† he exclaimed suddenly. Everyone looked at him. â€Å"Relief,† Langdon said, â€Å"is the other half of sculpture!† Sculpture is the art of shaping figures in the round and also in relief. He had written the definition on chalkboards for years. Reliefs were essentially two-dimensional sculptures, like Abraham Lincoln’s profile on the penny. Bernini’s Chigi Chapel medallions were another perfect example. â€Å"Bassorelievo?† the guard asked, using the Italian art term. â€Å"Yes! Bas-relief!† Langdon rapped his knuckles on the hood. â€Å"I wasn’t thinking in those terms! That tile you’re talking about in St. Peter’s Square is called the West Ponente – the West Wind. It’s also known as Respiro di Dio.† â€Å"Breath of God?† â€Å"Yes! Air! And it was carved and put there by the original architect!† Vittoria looked confused. â€Å"But I thought Michelangelo designed St. Peter’s.† â€Å"Yes, the basilica!† Langdon exclaimed, triumph in his voice. â€Å"But St. Peter’s Square was designed by Bernini!† As the caravan of Alpha Romeos tore out of Piazza del Popolo, everyone was in too much of a hurry to notice the BBC van pulling out behind them. 73 Gunther Glick floored the BBC van’s accelerator and swerved through traffic as he tailed the four speeding Alpha Romeos across the Tiber River on Ponte Margherita. Normally Glick would have made an effort to maintain an inconspicuous distance, but today he could barely keep up. These guys were flying. Macri sat in her work area in the back of the van finishing a phone call with London. She hung up and yelled to Glick over the sound of the traffic. â€Å"You want the good news or bad news?† Glick frowned. Nothing was ever simple when dealing with the home office. â€Å"Bad news.† â€Å"Editorial is burned we abandoned our post.† â€Å"Surprise.† â€Å"They also think your tipster is a fraud.† â€Å"Of course.† â€Å"And the boss just warned me that you’re a few crumpets short of a proper tea.† Glick scowled. â€Å"Great. And the good news?† â€Å"They agreed to look at the footage we just shot.† Glick felt his scowl soften into a grin. I guess we’ll see who’s short a few crumpets. â€Å"So fire it off.† â€Å"Can’t transmit until we stop and get a fixed cell read.† Glick gunned the van onto Via Cola di Rienzo. â€Å"Can’t stop now.† He tailed the Alpha Romeos through a hard left swerve around Piazza Risorgimento. Macri held on to her computer gear in back as everything slid. â€Å"Break my transmitter,† she warned, â€Å"and we’ll have to walk this footage to London.† â€Å"Sit tight, love. Something tells me we’re almost there.† Macri looked up. â€Å"Where?† Glick gazed out at the familiar dome now looming directly in front of them. He smiled. â€Å"Right back where we started.† The four Alpha Romeos slipped deftly into traffic surrounding St. Peter’s Square. They split up and spread out along the piazza perimeter, quietly unloading men at select points. The debarking guards moved into the throng of tourists and media vans on the edge of the square and instantly became invisible. Some of the guards entered the forest of pillars encompassing the colonnade. They too seemed to evaporate into the surroundings. As Langdon watched through the windshield, he sensed a noose tightening around St. Peter’s. In addition to the men Olivetti had just dispatched, the commander had radioed ahead to the Vatican and sent additional undercover guards to the center where Bernini’s West Ponente was located. As Langdon looked out at the wide-open spaces of St. Peter’s Square, a familiar question nagged. How does the Illuminati assassin plan to get away with this? How will he get a cardinal through all these people and kill him in plain view? Langdon checked his Mickey Mouse watch. It was 8:54 P.M. Six minutes. In the front seat, Olivetti turned and faced Langdon and Vittoria. â€Å"I want you two right on top of this Bernini brick or block or whatever the hell it is. Same drill. You’re tourists. Use the phone if you see anything.† Before Langdon could respond, Vittoria had his hand and was pulling him out of the car. The springtime sun was setting behind St. Peter’s Basilica, and a massive shadow spread, engulfing the piazza. Langdon felt an ominous chill as he and Vittoria moved into the cool, black umbra. Snaking through the crowd, Langdon found himself searching every face they passed, wondering if the killer was among them. Vittoria’s hand felt warm. As they crossed the open expanse of St. Peter’s Square, Langdon sensed Bernini’s sprawling piazza having the exact effect the artist had been commissioned to create – that of â€Å"humbling all those who entered.† Langdon certainly felt humbled at the moment. Humbled and hungry, he realized, surprised such a mundane thought could enter his head at a moment like this. â€Å"To the obelisk?† Vittoria asked. Langdon nodded, arching left across the piazza. â€Å"Time?† Vittoria asked, walking briskly, but casually. â€Å"Five of.† Vittoria said nothing, but Langdon felt her grip tighten. He was still carrying the gun. He hoped Vittoria would not decide she needed it. He could not imagine her whipping out a weapon in St. Peter’s Square and blowing away the kneecaps of some killer while the global media looked on. Then again, an incident like that would be nothing compared to the branding and murder of a cardinal out here. Air, Langdon thought. The second element of science. He tried to picture the brand. The method of murder. Again he scanned the sprawling expanse of granite beneath his feet – St. Peter’s Square – an open desert surrounded by Swiss Guard. If the Hassassin really dared attempt this, Langdon could not imagine how he would escape. In the center of the piazza rose Caligula’s 350-ton Egyptian obelisk. It stretched eighty-one feet skyward to the pyramidal apex onto which was affixed a hollow iron cross. Sufficiently high to catch the last of the evening sun, the cross shone as if magic†¦ purportedly containing relics of the cross on which Christ was crucified. Two fountains flanked the obelisk in perfect symmetry. Art historians knew the fountains marked the exact geometric focal points of Bernini’s elliptical piazza, but it was an architectural oddity Langdon had never really considered until today. It seemed Rome was suddenly filled with ellipses, pyramids, and startling geometry. As they neared the obelisk, Vittoria slowed. She exhaled heavily, as if coaxing Langdon to relax along with her. Langdon made the effort, lowering his shoulders and loosening his clenched jaw. Somewhere around the obelisk, boldly positioned outside the largest church in the world, was the second altar of science – Bernini’s West Ponente – an elliptical block in St. Peter’s Square. Gunther Glick watched from the shadows of the pillars surrounding St. Peter’s Square. On any other day the man in the tweed jacket and the woman in khaki shorts would not have interested him in the least. They appeared to be nothing but tourists enjoying the square. But today was not any other day. Today had been a day of phone tips, corpses, unmarked cars racing through Rome, and men in tweed jackets climbing scaffolding in search of God only knew what. Glick would stay with them. He looked out across the square and saw Macri. She was exactly where he had told her to go, on the far side of the couple, hovering on their flank. Macri carried her video camera casually, but despite her imitation of a bored member of the press, she stood out more than Glick would have liked. No other reporters were in this far corner of the square, and the acronym â€Å"BBC† stenciled on her camera was drawing some looks from tourists. The tape Macri had shot earlier of the naked body dumped in the trunk was playing at this very moment on the VCR transmitter back in the van. Glick knew the images were sailing over his head right now en route to London. He wondered what editorial would say. He wished he and Macri had reached the body sooner, before the army of plainclothed soldiers had intervened. The same army, he knew, had now fanned out and surrounded this piazza. Something big was about to happen. The media is the right arm of anarchy, the killer had said. Glick wondered if he had missed his chance for a big scoop. He looked out at the other media vans in the distance and watched Macri tailing the mysterious couple across the piazza. Something told Glick he was still in the game†¦